Mesa Mark something... or an AC30.
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One Amp, One Sound For Life - No Pedals
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"I have the ultimate respect for Whitesox fans. They were as miserable as the Cubs and Redsox fans ever were but always had the good decency to keep it to themselves. And when they finally won the World Series, they celebrated without annoying every other fan in the country."--Jim Caple, ESPN (Jan. 12, 2011)
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Peavey JSXI miss the 80's (girls) !!!
Seymour Duncans currently in use - In Les Pauls: Custom(b)/Jazz(n), Distortion(b)/Jazz(n), '59(b)/'59(n) w/A4 mag, P-Rails(b)/P-Rails(n); In a Bullet S-3: P-Rails(b)/stock/Vintage Stack Tele(n); In a Dot: Seth Lover(b)/Seth Lover(n); In a Del Mar: Mag Mic; In a Lead II: Custom Shop Fender X-1(b)
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Of everything I have ever owned or played so far it would have to be a 100 watt PRS Archon. Solid usable cleans and that fluid expressive crunch side is just SO addictive. Owned my 50 just over a year now and it still blows me away every time I play through it.Guitars
Kiesel DC 135, Carvin AE 185, DC 400, DC 127 KOA, DC 127 Quilt Purple, X220C, PRS Custom 24, Washburn USA MG 122 proto , MG 102, MG 120.
Amps PRS Archon 50 head, MT 15, Mesa Subway Rocket, DC-5, Carvin X50B Hot Rod Mod head, Zinky 25watt Blue Velvet combo.
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Originally posted by Demanic View PostStill no word on whether a footswich is considered a "pedal". If it is, does that mean one's choice is limited to a single channel amp?
Sent from my SM-A115A using TapatalkGuitars
Kiesel DC 135, Carvin AE 185, DC 400, DC 127 KOA, DC 127 Quilt Purple, X220C, PRS Custom 24, Washburn USA MG 122 proto , MG 102, MG 120.
Amps PRS Archon 50 head, MT 15, Mesa Subway Rocket, DC-5, Carvin X50B Hot Rod Mod head, Zinky 25watt Blue Velvet combo.
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Originally posted by Demanic View PostStill no word on whether a footswich is considered a "pedal". If it is, does that mean one's choice is limited to a single channel amp?
Sent from my SM-A115A using TapatalkThe music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
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This question bothers me.
I can get my sound pretty much with any amp and a Boss SD-1.
But I'm not allowed to use a pedal.
So it needs to be an amp with an extra gain stage and flexible EQ.
Without the SD-1, I think the best for me would be a Peavey JSX. I loved that amp until I realized I could get that sound from pretty much any amp by using an SD-1 pedal.
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Originally posted by AdrianSD View PostCombo or head+cab, does it matter?The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
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I had used a Dirty Shirley when they first came out, and it was exceptional. I can see that happening.Administrator of the SDUGF
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I would have to say it would be my JCM 2000. But picking one tone would be tricky seeing that the amp has 4 distinct voices and many parameters within those voices. If I had to park it in one setting it would be the Lead 1 position which is a hot-rodded JCM 800 2203 tone.
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Originally posted by Mincer View PostI had used a Dirty Shirley when they first came out, and it was exceptional. I can see that happening.The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
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Originally posted by Securb View PostI would have to say it would be my JCM 2000. But picking one tone would be tricky seeing that the amp has 4 distinct voices and many parameters within those voices. If I had to park it in one setting it would be the Lead 1 position which is a hot-rodded JCM 800 2203 tone.The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.
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