Re: A cross between a Les Paul and a Strat?
Thanks all for your input!
As for my current arsenal, I've got a Thinline 72 RI (Japan) I'm very happy with, and a G&L Legact (Strat) I'm sorta happy with, but it keeps me wanting for more.
Hardtail Strat or tremolo block? The block makes a huge difference.
You mean blocking the tremolo, or changing the block? I've recently changed the block to a KGC brass block and it does do some nice things.
I have a Brian Moore with a Strat scale, but it has 2 HBs, a chambered mahogany body with a maple top. Maple/Rosewood neck. The HBs can be split. It has about 85% of a Strat sound, and about 85% of an LP.
Interesting!
Sounds like you really don't know what you want at the moment cos you are speaking in very general terms. You might as well just say "im looking for a good guitar". There are differences in the feel and sound of scale lengths, wood types and guitar construction - big ones. I think you should go out a play a boatload of axes and see what sounds and feels best to you personally. It will be a good journey of exploration.
Well, yes and no.. I really don't know what I want - only that I want something that's kinda in the ballpark of both camps. "I'm looking for a good guitar", just not a full on Les Paul, nor a full on Strat, because both of those leave me wanting for more. I'm not a purist at all, so I'm perfectly fine with a compromise. Actually, I owned a Parker Nitefly (mahogany, 2HB with split) for some years, and it produced a great mix of tones. I guess I'm wanting to try something similar (other than Parker).
How has Music Man not been mentioned? I played a Reflex once and along with the spectacular quality that comes with every EBMM I've played came a wonderful hybrid of Gibson and Fender.
That has went under my radar, thanks, looks intriguing!
If you want a Strat sound, play a Strat. If you want a LP sound, play a LP. If you want both, own both a Strat and a LP. The compromise path is exactly that ... a compromise on all levels. Any time i've ever heard a PRS being used in a band setting, the sound is non-descript ... not like a Strat, a LP or anything else, and their own voice is not distinct or immediately recogniseable.
Again, I'm not a purist. I can really appreciate the use of Strats and Lesters in music, but I'm not feeling quite at home with one of the "extremes" myself.
Hagstrom Super Swede Tremar, strat scale, option to split humbuckers, les paul s haped body, tremolo bridge.
That has went under my radar as well, cool!