I picked one up this week that might be a contender
Unfortunately, none of the selections has the meat of a Gibson Les Paul.
It's a few years ago since I owned one, but the Gibson MIII was a pretty good compromise guitar. While not perfect, there was enough Strat spank, and enough Les Paul grunt to cover most scenarios...Even a Les Paul Lite with the MIII wiring would probably get you close.
This might be thee best Str*t-Paul right now, unless you go custom.
Hagstrom Super Swede Tremar, strat scale, option to split humbuckers, les paul s haped body, tremolo bridge.
Well no matter what you do you wont be able to nail the tones. A strat is a strat and Les Paul a Les Paul. However you can get in the Ballpark. I vote for a Mahogany body with a strat scale length with either a HH or a HSS profile as stated in the above few posts. From there you need to split the Humbuckers. I have very fine results in my SA120 with the JB JAZZ combo with coil splits. If I am not wrong I believe that the PATB was made to make a strat sound like a Les Paul.
I picked one up this week that might be a contender (depending on what pickups your LP would have, I suppose). Not trying to show off the picture one more time (maybe just a bit), but this guitar really has features of both. Mahogany body with a maple cap, set maple neck, rosewood fretboard, 3 pickups with a 5 way switch.... it's something...
http://www.long-mcquade.com/products/16642/
Features a Canadian basswood body, rock maple neck with maple or rosewood fingerboard, the Godin High-Definition Revoicer and the Godin Tru-Loc Tremolo system which allows players to regulate their own trem arm placement into a personal Custom Comfort Zone. The Session Custom features a beefy Godin Humbucker in the neck and the sweet Godin 'Custom Cajun' single-coil pickup in the bridge for added vintage punch & bite. All of which are housed in a classic single cutaway body design and controlled via a 5-way switch, 1x volume and 1x tone knob.
H.D.R. High-Definition Revoicer
The H.D.R. revoices and augments the frequency range of each pickup and allows the player to go from passive to active pickups
with the simple push of a button.
Th H.D.R. provides extra bite, dynamic response and redefines the
character of each pickup. Its like having 2 sets of pickups in 1 guitar!
i have one of those LPs; due to the construction they don't even do the solidbody LP thing 100%
it's definitely my best-sounding guitar though, when it's loaded with pickups it likes.
Tor, if you had to pick one scale length, and one bridge, what would they be?
and in case you're wondering, yes there is a good chance that i'm going to try to talk you into a 3-pickup baritone tele with a bigsby
:beerchug:
Sir Jack, are those concepts of yours 25.5"? they look 25.5".