Synapsys
Well-known member
Re: A very rare NAD for me...
So far, my best live sound came from a TSL 100, a 1960A 4x12, a Line6 M13 in the loop and a Dimebag Wah. If it's biased right, that amp sings and cuts very well in a mix.
Since I had an accident involving surgery and weight-lifting restraints a few years back, the TSL had to go, as well as the other gear. I'm now a H&K convert, but I truly miss that amp, ever if a lot of people seemed to run from it back then an even now.
If I remember it correctly, it had some kind of attenuator-thingy going on that I found quite usable playing live. Yet, it's far from a "bedroom amp" as I can recall. I once cam drunk from a gig when I lived in an apartment, and the next day I wanted to play, and forgot to set the amps volumes... as a result, I got loose the window glasses all around the house. Never again!
So far, my best live sound came from a TSL 100, a 1960A 4x12, a Line6 M13 in the loop and a Dimebag Wah. If it's biased right, that amp sings and cuts very well in a mix.
Since I had an accident involving surgery and weight-lifting restraints a few years back, the TSL had to go, as well as the other gear. I'm now a H&K convert, but I truly miss that amp, ever if a lot of people seemed to run from it back then an even now.
If I remember it correctly, it had some kind of attenuator-thingy going on that I found quite usable playing live. Yet, it's far from a "bedroom amp" as I can recall. I once cam drunk from a gig when I lived in an apartment, and the next day I wanted to play, and forgot to set the amps volumes... as a result, I got loose the window glasses all around the house. Never again!
