Johtosotku
New member
Re: Can low output pickups really imitate hi-gain pu's with pedals/and enough gain?
In my experience, not to my satisfaction.
In my experience, not to my satisfaction.
This is a yes and no question.
I had all my guitars at one stage fitted with EMGs (81s, 85s and 89s).
I'm perfectly happy with my EMG pickups for anything downtuned. I have yet to hear a passive do better and I don't dislike the EMGs enough to really bother trying. I'm talking C# sort of area.
However I didn't like them on standard E or D tunings. They were too compressed, not enough dynamics and the 18v modification didn't help.
The lower output pickups, particularly the DiMarzio Super Distortion, Duncan JB and Duncan Distortion are currently getting the most play time for those tunings.
I have a Les Paul that I initially loaded with a Pearly Gates and a 59. I didn't like the combo because even though I dialled in more gain on the amp, it felt just a bit woolly and I struggled to get pinch harmonics out of it. It just didn't seem to want to be driven all that much. I then changed for the Slash Alnico set. Although I can't quite get pinch harmonics out of it without trying hard, I really like the tone. It's rather similar to tones on Rotting Christ's Aealo or Dead Poem album. Really restrained and singing with the gain dialled up a bit fierce.
So far I would say that for me ultra high out pickups like the Invader or the Black Winter don't really have a place for me, ultra low output doesn't really get me there either. It's too much the other way. So for me, somewhere in the middle so the guitar is hot enough to get those cool solo tones out but enough breathing space to allow picking dynamics through.
So far my favorite pickup set is the DiMarzio Super Distortion and Gravity Storm neck. It's the perfect combo in anything alder body maple neck. I didn't like them too much in the Les Paul, but I quite like the mix between GnR and RC kind of tones I get with the AlNiCo Slash set.
For reference, I use a Peavey 6505+, Marshall TSL100 and a Marshall JVM410h as my main rigs depending on band.
This is a yes and no question.
I had all my guitars at one stage fitted with EMGs (81s, 85s and 89s).
I'm perfectly happy with my EMG pickups for anything downtuned. I have yet to hear a passive do better and I don't dislike the EMGs enough to really bother trying. I'm talking C# sort of area.
However I didn't like them on standard E or D tunings. They were too compressed, not enough dynamics and the 18v modification didn't help.
The lower output pickups, particularly the DiMarzio Super Distortion, Duncan JB and Duncan Distortion are currently getting the most play time for those tunings.
I have a Les Paul that I initially loaded with a Pearly Gates and a 59. I didn't like the combo because even though I dialled in more gain on the amp, it felt just a bit woolly and I struggled to get pinch harmonics out of it. It just didn't seem to want to be driven all that much. I then changed for the Slash Alnico set. Although I can't quite get pinch harmonics out of it without trying hard, I really like the tone. It's rather similar to tones on Rotting Christ's Aealo or Dead Poem album. Really restrained and singing with the gain dialled up a bit fierce.
So far I would say that for me ultra high out pickups like the Invader or the Black Winter don't really have a place for me, ultra low output doesn't really get me there either. It's too much the other way. So for me, somewhere in the middle so the guitar is hot enough to get those cool solo tones out but enough breathing space to allow picking dynamics through.
So far my favorite pickup set is the DiMarzio Super Distortion and Gravity Storm neck. It's the perfect combo in anything alder body maple neck. I didn't like them too much in the Les Paul, but I quite like the mix between GnR and RC kind of tones I get with the AlNiCo Slash set.
For reference, I use a Peavey 6505+, Marshall TSL100 and a Marshall JVM410h as my main rigs depending on band.
I bet my left foot that's not what most people here mean by "low output pickups" at all.
I highly recommend you try the DD for C#. I play in that tuning, and it's beyond perfect. Great tightness to the sound, and still allows for all the picking dynamics.
You can keep your left foot... not sure what someone would want with it... but pretty sure your right...
Whats funnier is that a DD is actually higher output than a 81. Just the 81 pushes frequencies that your ears pick up easy so they seem a ton louder.
While the DD may be higher output on paper, to me they're not as perceptively higher than EMGs.
I must respectfully disagree. Guitars have volume knobs, you know?
Lowering the volume of a high output pickup does not make a high output pup sound or respond like a Jazz or Alnico II Pro pickup at all. Sure, lowering the volume knob can clean up the gain of a high output pickup a bit but the "compression" stays with it. Also, if you have not done a treble bleed mod on the pickup you also lose treble when you turn down the volume.
seems like a lot of people who disdain hi-gain pickups say that they can just make up for them with amp gain and compressor pedals, and still have better cleans/note articulation.
can a lower output bridge PAFish wind with an A2 really be as convincing for metal by using more gain from the amp/pedals/compressor
compared to something like a Custom/JB/ etc?
or will it never have the same chunk/bite/sustain as a higher output pickup?
Does anyone argue that Slash doesn't have good high gain tones?
Does anyone argue that Slash doesn't have good high gain tones?
Does anyone argue that Slash doesn't have good high gain tones?
Er, actually I do!
If you listen to any live GnR stuff, I really don't rate Slash's high gain tone at all. Sometimes they feel a little bit like he's struggling with the lack of gain!
Does anyone argue that Slash doesn't have good high gain tones?
I think Slash's tone is great. It's a nice touch of gain. Of all the most famous modern guitarists I like Slash's respect for the classic guitar greats like Hendrix, Page and so many others. Slash is constantly paying homage to them in his interviews (unlike EVH for example who claims he never listened to them... B.S.) as well as chasing a modern tone that is a nice blend of classic and modern.
I am a rare person these days but I can't stand most modern metal tones when I hear them. Some are ok but most of them are just too much damn gain. It's too thick, too much crunch and too much mids for me and leaves the organic woody tones of electric guitar completely out of the picture.
What? Struggling with a lack of gain? That's called the sweet tones of electric guitar. Too much gain is a tone killer.