Petrovsk Mizinski
New member
Re: Gibson finally does it right
I'm talking mainly about some of the QC issues people have had with models like the Les Paul Standard in the past. A guitar of that price should be nothing less than perfect from factory each and every time. The fact some people have had to get refrets and fret work done on some of them is unacceptable.
Yes, true most examples coming out the factory are probably great, but I believe at that price ALL of them should have.
I can respect that Gibson have now lifted the bar by using the PLEK machines on some of their models, that is a move that I believe many other mainstream manufacturers should take a look at doing.
For reference, the RG 7421 is a Japanese made guitar and the quality absolutely destroys any MIK Ibanez I've played by miles.
Does it have the tone of a Gibson? No.
Do I require the tone of a Gibson? No.
I use 7 strings and use a super strat because that is the tool I require for the music I play. There are plenty of pro recordings that have been done with the Japanese made RG 7420/7421/7621/7621 models and often all they ever needed was a pickup swap at the bridge for a Dimarzio. The sustain and the tone is there.
Do I feel it matches the quality of an MIA Gibson? Maybe it doesn't, but I'm honestly not bothered because I don't get along with 6 strings, I don't get along with LP body shapes, I don't get along with 24.75 inch scale lengths and I don't get along with the LP neck profile.
I totally agree with you on having a few amazing guitars and not a room full of decent ones.
I personally don't own more than a few guitars anyway.
Yes, I can get a guitar better than my Ibanez, so one day I'll sell it to fund several custom made guitars, since I wont need my Ibanez and I'm a believer than unless a guitar is getting played very regularly then I shouldn't be keeping it, it should be sold to someone who WILL play it regularly, because guitars are not collectors items, they are devices for making music (unless the guitar happens to be an actual collectors item, but otherwise a bog standard Les Paul, Strat, Tele, Ibanez RG etc does not count as a collectors item to my mind).
Give me 4 custom made guitars, each with different pickup configurations for various recording and live playing applications and that is all I'd need.
For what I wont be spending on 50 different guitars, I'll put that money towrds my other interests instead.
They HAVE been doing it right, for a REALLY long time. They're just not adding a bunch of "pro" features that a lot of pros don't even find necessary.
I mean the coil taps and the locking tuners are sweet options to have but honestly, a good Les Paul is EXTREMELY easy to come by...because most of them are awesome by design.
But yeah, that MIK Ibanez you're rocking, that's gonna have the build quality and the tone all day huh? :smokin: Now i understand that there's a price difference there...but Ibanez has guitars in this price range too, with lots of features i don't find necessary. Are they doing it WRONG or what?
it sucks how cheap asian labor has made honest American products seem like such a luxury item. 50 years ago an aspiring guitarist would pick one guitar and play it...now we think we all have to have a stable of axes like a **** rock star...i'm guilty of it too but i'm just starting to realize that a room full of cheap instruments is nowhere near as cool as one or two really really sweet ones...
I'm talking mainly about some of the QC issues people have had with models like the Les Paul Standard in the past. A guitar of that price should be nothing less than perfect from factory each and every time. The fact some people have had to get refrets and fret work done on some of them is unacceptable.
Yes, true most examples coming out the factory are probably great, but I believe at that price ALL of them should have.
I can respect that Gibson have now lifted the bar by using the PLEK machines on some of their models, that is a move that I believe many other mainstream manufacturers should take a look at doing.
For reference, the RG 7421 is a Japanese made guitar and the quality absolutely destroys any MIK Ibanez I've played by miles.
Does it have the tone of a Gibson? No.
Do I require the tone of a Gibson? No.
I use 7 strings and use a super strat because that is the tool I require for the music I play. There are plenty of pro recordings that have been done with the Japanese made RG 7420/7421/7621/7621 models and often all they ever needed was a pickup swap at the bridge for a Dimarzio. The sustain and the tone is there.
Do I feel it matches the quality of an MIA Gibson? Maybe it doesn't, but I'm honestly not bothered because I don't get along with 6 strings, I don't get along with LP body shapes, I don't get along with 24.75 inch scale lengths and I don't get along with the LP neck profile.
I totally agree with you on having a few amazing guitars and not a room full of decent ones.
I personally don't own more than a few guitars anyway.
Yes, I can get a guitar better than my Ibanez, so one day I'll sell it to fund several custom made guitars, since I wont need my Ibanez and I'm a believer than unless a guitar is getting played very regularly then I shouldn't be keeping it, it should be sold to someone who WILL play it regularly, because guitars are not collectors items, they are devices for making music (unless the guitar happens to be an actual collectors item, but otherwise a bog standard Les Paul, Strat, Tele, Ibanez RG etc does not count as a collectors item to my mind).
Give me 4 custom made guitars, each with different pickup configurations for various recording and live playing applications and that is all I'd need.
For what I wont be spending on 50 different guitars, I'll put that money towrds my other interests instead.