Solid state power and preamp pedals

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Digitech 2112 SGS ( two 12ax7 tubes) + two VHT Valvulators 1's ( 1 12ax7 tube each ) + two Crate Power Blocks = 100 % tube dynamics and articulations .
 
You always find/post the coolest stuff Dank.

That aesthetic/logo is all it would take to make me pull the trigger on one if I was in the US :laugh2:
 
You always find/post the coolest stuff Dank.

That aesthetic/logo is all it would take to make me pull the trigger on one if I was in the US :laugh2:

Kruse has a video for a fender (princeton I believe) with a brown mod that just sounds insane.

You find some crazy stuff as well!
 
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AMT SS-20 tube preamp into a ISP Stealt Stereo. Lighweight rig, sounds great, easy to create a streo or even a wet-dry rig with no ground loops or phasing issues. I can use a couple of 1x12 cabs if I really want or just keep it simple and a single 1x12. It can be super loud if you want to. I am still evaluating if I really want to move into modelers as preamps, to me the amo in the room is something I cannot quit.
 
I think solid state technology has been there for quite a while. Many memorable solid state (or mostly solid state) tones have been on records for quite a while. Especially if look into the heavier genres. I think the problem is that solid state amps have been built for a budget ever since they were introduced. And the ones that weren't (like the Roland Jazz Chorus) became iconic.

I don't think the current wave of solid state pedals offer anything new other than the same old technology applied to newer designs.

This is exactly it. The bane of solid state has always been a lack of R&D, not the items themselves. During the second half of the eighties and early nineties, when there were anxieties that tubes might disappear entirely, there were made some really fine SS rack units. I haven't really heard significant improvement since, though, and SS is too often relegated to the beginner units.
 
Both of my Line 6/Bogner amps provide an "amp" input, which makes them great tube Power Engines. I've used them with my Palladium, Twin Tube Classic, BBE Acoustimax, Yammy MagicStomp, etc., etc. They all sound amazing.
 
This is exactly it. The bane of solid state has always been a lack of R&D, not the items themselves. During the second half of the eighties and early nineties, when there were anxieties that tubes might disappear entirely, there were made some really fine SS rack units. I haven't really heard significant improvement since, though, and SS is too often relegated to the beginner units.
And even some of those "beginner units" sound killer through the right cab since the first thing to take a hit on budget amps is the MDF cabinetry and cheapie speakers.

Examples are the Peavey Bandits and the Vypyrs (solid state gain stages with digital tone stacks). Hell, even the Fender Frontmans sound killer when run through a good cab.
 
And even some of those "beginner units" sound killer through the right cab since the first thing to take a hit on budget amps is the MDF cabinetry and cheapie speakers.

Examples are the Peavey Bandits and the Vypyrs (solid state gain stages with digital tone stacks). Hell, even the Fender Frontmans sound killer when run through a good cab.

Yup. Jeff Fiorentino, who used to run the website jfrocks.com, got a better brown tone than most people would get out a vintage Marshall stack with all the right tools using a solid-state Crate – I forget which model.
 
And even some of those "beginner units" sound killer through the right cab since the first thing to take a hit on budget amps is the MDF cabinetry and cheapie speakers.

Examples are the Peavey Bandits and the Vypyrs (solid state gain stages with digital tone stacks). Hell, even the Fender Frontmans sound killer when run through a good cab.

What's a digital tone stack? The Bandits are all analog. The Vyprs are all digital modeling, the preamp and tone stack in those is all digital like any other modeler.
 
What's a digital tone stack? The Bandits are all analog. The Vyprs are all digital modeling, the preamp and tone stack in those is all digital like any other modeler.
No. The Vypyrs are not all digital like any other modeler. The distortion comes from their Transtube thing, and then it goes through a digital EQ controls. The effects and stomps and whatnot are all digital too. Not sure if the input filtering is also digital, because some models are tighter than others, even if all of them sound pretty similar.

At least on the first gens, that's how they worked.

Yeah, the Bandits are all analog.
 
From the Vypyr manual:

After 43 years of experience building tube amplifiers and working with analog distortion, Peavey has finally combined true analog distortion with advanced digital effects algorithms to create the best sounding modeling amp on the planet, period. The VYPYR is significantly different from other modeling amplifiers for several reasons, but the primary reason and key to tone is ANALOG distortion. Years spent perfecting our patented TransTube® technology have paid off in allowing us to combine REAL ANALOG distortion with one of the most advanced processors in ANY modeling amplifier, the 266 MHz Dual Core SHARC. This amazing combination of technology allows the VYPYR to operate up to five effects simultaneously while maintaining the real sound of an ANALOG amplifier. What this means to you is unlike our competition, your amp will not only sound great at home, but incredible on stage and in the studio as well.
 
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It's 2024 and people are still using preamps? Boss IR-200 and an H90 is really all you need to get any amp, cab, and effect these days.

I wish that were true.... I´ve tried all the modelers on the market, for years. And while we crossed the "you can´t hear or feel a difference" threshold a few years back with the current Helix+ Axe-FX generation, and I can get good tones out of them, i can´t get my tone out of them.

I have IRs of my cabs with numerous mics in multiple positions for silent recording, my power amp is very transparent, and most modulation and delay FX are more or less interchangeable anyway... That said, the "symphonic" effect of an old EMP-100 or SPX-90 is also something I rarely if ever hear duplicated on moderlers, and it´s still a key ingredient in my clean tone.


But even without that detail, until somebody starts modeling Mesa V-Twin and Peavey Rockmaster Preamps (or something reasonably close), every modeler on the market can go fornicate itself with an iron stick and I´ll continue to carry around those exact pieces of gear (or buy a kemper and "clone" them if I ever have serious concerns about longevity or theft) ;)​​
 
But even without that detail, until somebody starts modeling Mesa V-Twin and Peavey Rockmaster Preamps (or something reasonably close), every modeler on the market can go fornicate itself with an iron stick and I´ll continue to carry around those exact pieces of gear (or buy a kemper and "clone" them if I ever have serious concerns about longevity or theft)

I've said that I will buy and play the first modeller that has the following models in it:

Marshall Super Lead
Soldano SLO-100
Rockman
ADA MP-1

It needs to be able not only to get close to these sounds, but to acknowledge the models – the question is partially political (in a very extended sense) for me.
 
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