This is your rig. What would *you* do with it?

Re: This is your rig. What would *you* do with it?

GUITARS:
  • 1994 Les Paul Standard; modified with a JB in the bridge, SH-1 '59 in the neck and push/pull pots on all four knobs with Jimmy Page wiring; strap locks
  • 2000 MIJ Fender Strat with rosewood fingerboard; all stock except for locking tuners and strap locks
  • 2003 MIJ Fender Tele with maple fingerboard; modified with a Harmonic Design Super 90 single coil in the bridge, Lace Sensor Blue single coil in the neck and a five-way switch with the following functions: 1 = bridge only, 2 = out of phase, 3 = series (emulates humbucker wiring), 4 = parallel, 5 = neck
  • 2003 ES-333 (the stripped down version of the 335); all stock
  • 1996 Guild D4-NT acoustic with Fishman internal pickup installed
    Keep all the guitars except the ES-333
AMPS (all tubes stock):
  • Mesa/Boogie DC-5 50-watt head with Mesa 4x12 cab filled with Celestion Vintage 30s
    Keep that Mesa, sell the other 2 amps
PEDALS (listed in alphabetical order):

  • Keep These Pedals:
  • Analog Man Bi-CompROSSor (compressor)
  • Analog Man Clone Chorus (stereo chorus)
  • Boss TU-2 Chromatic Tuner
    Sell the rest of the pedals and all the rack stuff

    Keep:
  • Fender 6" patch cables (used to connect pedals to each other)
 
Re: This is your rig. What would *you* do with it?

I'd swap seths or burstbuckers into the LP std, and put texas hots ar an aps/twangbanger set into the MIJ strat. I'd also either drop phat cats into the es333 or sell it for another hollowbody.

I'd also off the DC5 for either a vibrolux or a plexi reissue.

Great rig as it is, though.
 
Re: This is your rig. What would *you* do with it?

+ 1 on getting an A/B box - Barber makes a good one. Get one amp for clean and one amp for gain and trim your pedals down to the bare essentials (Chorus, Echo/Delay, compression, Wah maybe a univibe type) - that's what I would do.

Also try JJ tubes in your amps - I have thme in my Mark IV combo and I love them.
 
Re: This is your rig. What would *you* do with it?

So far these responses have been great. At some point I think I'll put together a stats list of how many people would choose to keep/dump/modify which items.

Just for the record -- and I'm only saying this because of some of the wah suggestions -- the Geoffrey Teese RMC3 *is* a true-bypass pedal. So I've got that and the Dunlop Crybaby. I list both because I have both, but I only keep one of them on my board.

(Oh yeah, I also forgot to mention that I already have a pedal board, too.)

- Keith
 
Re: This is your rig. What would *you* do with it?

Skarekrough said:
It's funny...

As I read through this thread I find I'm constantly amazed at how many folks are willing to contruct monstrous rigs with channel switching, rack-mount routing and multiple-voiced amps and signals.

Do you folks actually...ya know....gig with those things?

It was more than a few years ago that I myself kind of came to the revealation that the uber-complex rig was just unholy unwieldy for most applications. Even setting them up in one place for posterity was almost totally unsatisfying for me if I didn't have the potential of being able to put it to use either recording or gigging.

I sold just about everything off that wasn't a guitar or amp and bought a handfull of pedals, most of which just collect dust these days.

Are the rigs you folks are describing something you'd actually do anything with other than have them?
Click to expand...


I meantioned three amps....but I wouldn't do all that amp switching ****..just one at a time =)

my rig's simple...guitar, wah, delay pedal (which should arrive soon..gettin 'a good used guyatone md3!) right into my head..end of story....and that's how I like it....soon I'll have a wireless too....but I like it simple..
 
Re: This is your rig. What would *you* do with it?

Okay, I geeked out and ran some numbers to see what the group's tendency is so far. Here's what I've come up with (numbers rounded)...

GUITARS:
  • 75% would keep the Les Paul
  • 60% would keep the Guild acoustic
  • 60% would keep the Strat
  • 70% would keep the Tele
  • 50% would keep the ES-333
Those who would keep the Strat are big on replacing pickups, something I plan on doing at some point when I can afford it. I'd also refret the neck with jumbo or medium jumbo frets at some point.

AMPS:
  • 33% would keep the Mesa DC-5
  • 70% would keep the Vox AC-30
  • 75% would keep the Fender Super Reverb
Almost universally the group feels I should be running some kind of A/B/Y box, another feature I plan on adding to the rig.

EFFECTS:

This group is all over the place with regard to effects (a testament to the variety of styles in the group). However, the group generally seemed to like the modified TS-9 and modified DS-1 while caring little for the Sun Face fuzz, unmodified DS-1, Hotcake, Bi-CompROSSor, modified Blues Driver, Boss EQ, Demeter tremolo and Digitech digital reverb. I've gotta tell you that I'm totally in love with the Bi-Comp and can't imagine using a drive pedal w/o EQ since I've picked up the Boss GE-7.

What I found most interesting is how much folks would want to sell/replace the Mesa. I must admit that I've been leaning in that same direction.

Great feedback! Keep it coming, if you're so inclined.

- Keith
 
Last edited:
Re: This is your rig. What would *you* do with it?

KGMESSIER said:
GUITARS:
  • 50% would keep the ES-333
Click to expand...
I am just a sucker for hollow, and semi-hollows, it doesn't help it that I love the body shape.

Luke
 
Re: This is your rig. What would *you* do with it?

Luke Duke said:
I am just a sucker for hollow, and semi-hollows, it doesn't help it that I love the body shape.

Luke
Click to expand...

Oh I totally agree. My 333 is named "Freya" after the Norse goddess of fertility.
 
Re: This is your rig. What would *you* do with it?

KGMESSIER said:
Oh I totally agree. My 333 is named "Freya" after the Norse goddess of fertility.
Click to expand...
:laugh2:

What you do in the bathroom is your own business! :laugh2:
 
Re: This is your rig. What would *you* do with it?

I'd have sex with it all. Everything.

I'd sex up those Fender guitars extra good. I've always wanted to have intimacy with something made in Japan. :naughty:
 
Re: This is your rig. What would *you* do with it?

I'd keep the guitars and the amps. You never know what type of gig is going to come your way. I'd sell just about everything else, except the tuner, the Line 6 delay and the univibe. Running those with what I've already got will do.
 
Re: This is your rig. What would *you* do with it?

i'd write & play some tunes
 
Re: This is your rig. What would *you* do with it?

I would keep all the guitars
Sell the Mesa
and sell the following
Boss BD-2 Blues Driver with Analog Man "Super" mod
Boss DS-1 Distortion with John Spina mod
Boss DS-1 Distortion (unmodified)
DigiTech X-Series DigiVerb (digital reverb)
DOD FX30-B Gate/Loop
Line 6 DL-4 Delay Modeler
Alesis MidiVerb 4 (multi-effects processor - two units)
BBE 422A Sonic Maximizer
Lexicon Vortex (multi-effects processor)

then I would buy 2 a/b/y switch boxs, an TCJ DGTM Overdrive and a RIC 12-String and a Tanglewood !2-string acoustic
 
Re: This is your rig. What would *you* do with it?

Well you could sell it all to me *real* cheap. Then later regret it.
 
Re: This is your rig. What would *you* do with it?

I would sell it all, and get a Music Man Axis and JP model, a fasel true bypass wah, a delay pedal, a chorus pedal, and a Mesa Mark 4. That's all you need, I don't do tap dances on stage. I headbang.
 
Re: This is your rig. What would *you* do with it?

KGMESSIER said:
You own the following...

GUITARS:
  • 1994 Les Paul Standard; modified with a JB in the bridge, SH-1 '59 in the neck and push/pull pots on all four knobs with Jimmy Page wiring; strap locks
  • 2000 MIJ Fender Strat with rosewood fingerboard; modified with Kinman pickups, a refretted neck with medium-jumbo frets, locking tuners and strap locks
  • 2003 MIJ Fender Tele with maple fingerboard; modified with a Harmonic Design Super 90 single coil in the bridge, Lace Sensor Blue single coil in the neck and a five-way switch with the following functions: 1 = bridge only, 2 = out of phase, 3 = series (emulates humbucker wiring), 4 = parallel, 5 = neck
  • 2003 ES-333 (the stripped down version of the 335); all stock
  • 1996 Guild D4-NT acoustic with Fishman internal pickup installed
AMPS (all tubes stock):
  • Mesa/Boogie Single Rectifier head
  • Mesa/Boogie DC-5 50-watt head
  • Mesa 2x12 cab filled with Celestion Vintage 30s
  • Vox AC-30 Top Boost Reissue combo
  • Fender '65 Super Reverb Reissue combo
PEDALS (listed in alphabetical order):
  • Analog Man Bi-CompROSSor (compressor)
  • Analog Man Clone Chorus (stereo chorus)
  • Analog Man King of Tone, Ver. 4 (boost/overdrive/dist.)
  • Analog Man NKT-275 Sun Face (fuzz box)
  • Boss BD-2 Blues Driver with Analog Man "Super" mod
  • Boss CS-2 Compression Sustainer (the older, better one)
  • Boss DS-1 Distortion with John Spina mod
  • Boss DS-1 Distortion (unmodified)
  • Boss FV-60 (stereo volume pedal)
  • Boss GE-7 Equalizer
  • Boss TU-2 Chromatic Tuner
  • BSM OR Treble Booster
  • Crowther Hot Cake (overdrive)
  • Demeter Tremulator TRM-1 (tremolo)
  • DigiTech X-Series DigiVerb (digital reverb)
  • DOD FX30-B Gate/Loop
  • Dunlop Crybaby (wah - reissue)
  • Dunlop Uni-Vibe (reissue)
  • Electro-Harmonix Deluxe Memory Man (vintage)
  • EMMA DiscumBOBulator (envelope filter)
  • Geoffrey Teese RMC-3 (wah)
  • Ibanez TS9 Tube Screamer with Analog Man "808 Brown" mod
  • Legendary Tones Time Machine Boost (dual-function treble and clean boost)
  • Line 6 DL-4 Delay Modeler
  • Loop Master three-loop box with tuner mute
  • MXR Flanger (vintage 1981)
  • MXR Phaser (reissue)
  • Shannon Phaser
  • Sweet Sound Mojo Vibe
RACK UNITS:
  • Alesis MidiVerb 4 (multi-effects processor - I have two of these)
  • BBE 422A Sonic Maximizer
  • Lexicon Vortex (multi-effects processor)
OTHER:
  • Scholz Rockman Soloist
  • Voodoo Labs Pedal Power 2
  • THD Hot Plate (16-ohm version)
  • Ebtech Hum Eliminator (for running two amps in stereo)
  • Monster Cables (from guitar to effects and from effects to amp)
  • George L's cables (used to connect pedals to each other)
Here are my questions:

Do you make any modifications to any of the equipment? Do you toss or add any equipment? What's your signal path?

In short, given what you've got, what do you do to achieve your ultimate rig?

(I know, huge questions. Something to keep you busy during downtime.)

- Keith

P.S. Don't say "It depends on what kind of sound you're going after." I want to know what you would do with it if this were your rig.

Now get crackin', guitar heroes!
Click to expand...

From the attic...

I've updated the list above for a one-year review. Added some stuff to my arsenal, removed nothing. Any new thoughts?

- Keith
 
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