Out of respect for where we are I don't want to go full tilt, but yeah if you've heard about the two distinct voices in each Classic, you know how it's not really like taking one voice and then altering it. It's really two different pickups, but sharing the same magnetic circuit. Like how a JB and a 59 are totally different but share the same magnetic circuit.
When you get to the Moderns, they're blades, so it responds like a blade. Rather than refer to those as neck and bridge, they both can be used in either position. The Alnico response (more often the neck) is sweeter and more fluid, while the Ceramic (more often the bridge) is more cutting and percussive.
Voice 1 Alnico-sweet and fluid, smooth solos, round and full rhythms clear treble, warm lows.
Voice 2 Alnico-crisp, clean, acoustic-ish in some ways, but thick in the low mids too. Excellent "oooh" sound.
Voice 1 Ceramic-cutting "active pickup" attack and tonal curve, truly more dynamics and frequency range. All the notes of broad chords stay clear under high gain. (Something everyone says but its true this time LOL)
Voice 2 Ceramic-all the best ceramic passive rock tones. If you like some of the Bare Knuckles Ceramics, Distortion, 500T, Black Winter, etc that's your voice. Excellent passive grunt but clarity you can't find in an overwound passive because the high wind clogs up the harmonic structure.