Ashurbanipal
Well-known member
Re: Like JEMs, but hate trems?
Well, Steve is known for giving away guitars; this one may have been through various hands. Given that it is a proto should be a clue as to why it's in great shape
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Chinese fake Jems are usually pretty easy to spot in the details, like the monkey grip, general shape of the body, the AANJ, logo placement on the headstock etc. This one does have a lot of filler around the inlays but not that unusual for the vine pattern. Though the AANJ is formally different here than on a production guitar, it's consistent with the development of the feature.
The quarter sawn neck is also not that common on production Ibanez guitars, but it could be experimentation here with grain orientation/stiffness.
Also, I'm not sure whether someone making a fake would go to the trouble of having a two piece, centre joined mahogany body.
The Floyd nut 'shelf' at the end of the neck, despite this guitar being a hardtail with a regular nut, is consistent with Steve's other hardtail protos, like this one.
Then there's Mace Bailey's initials in the neck pocket, the guy who built many of Steve's protos back in the day when Ibanez had an operation in LA. So it's either the man himself or a serious Jem afficionado who knows the history of the guitar's development, and was able to fake it.
In conclusion, if it is a fake, it's a damn good one.
Correct on both counts.
There was a huge stink about when they changed from ebony to rosewood, though Steve had been using rosewood for years. Only the first neck on Evo had ebony, which was broken in 1997 or thereabouts.
The blue one (7VSBL) also was alder, now that I think about it.
Well, Steve is known for giving away guitars; this one may have been through various hands. Given that it is a proto should be a clue as to why it's in great shape
Chinese fake Jems are usually pretty easy to spot in the details, like the monkey grip, general shape of the body, the AANJ, logo placement on the headstock etc. This one does have a lot of filler around the inlays but not that unusual for the vine pattern. Though the AANJ is formally different here than on a production guitar, it's consistent with the development of the feature.
The quarter sawn neck is also not that common on production Ibanez guitars, but it could be experimentation here with grain orientation/stiffness.
Also, I'm not sure whether someone making a fake would go to the trouble of having a two piece, centre joined mahogany body.
The Floyd nut 'shelf' at the end of the neck, despite this guitar being a hardtail with a regular nut, is consistent with Steve's other hardtail protos, like this one.
Then there's Mace Bailey's initials in the neck pocket, the guy who built many of Steve's protos back in the day when Ibanez had an operation in LA. So it's either the man himself or a serious Jem afficionado who knows the history of the guitar's development, and was able to fake it.
In conclusion, if it is a fake, it's a damn good one.
The 7VWH is alder. It used to have an ebony fretboard instead of rosewood, but as far as I know it's always been an alder body.
Correct on both counts.
There was a huge stink about when they changed from ebony to rosewood, though Steve had been using rosewood for years. Only the first neck on Evo had ebony, which was broken in 1997 or thereabouts.
The blue one (7VSBL) also was alder, now that I think about it.
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